Vitus, a Swedish film by director Fredi M. Murel, is very sweet, entertaining, yet enlightening film. The film was released in 2006 and shown at the Chicago International Film Festival (CIFF) the same year and won the Audience Choice Award. Vitus, a young piano prodigy, and genius in many other areas, wants to be “normal” and control his own growing up path, vs. being dictated by his well-meaning parents. There is no villain in the film, and no tragic ending, despite the accidental death of Vitus’ grandfather.
The film was shown at the Chicago’s Cultural Center last night to a packed audience, followed by a nice discussion led by Ron Falzone, professor of film at Columbia College. It was part of CIFF’s Annual International Screenings Program.
I like the film because of the multiple levels of relationship presented—Vitus with his parents, and the real connection he has with his grandfather, his disconnect with his peers as a talent child, and his clever way of out-smart his controlling mother. Unlike many films that present “dis-functioning” families, Vitus’ parents love each other and love him, he loves them. His faked fall from their apartment building not only manipulated his way out of his mother’s tight grip, but also the perception of the audience. It was not because he didn’t want to practice piano, but practice the way he sees fit.
In the end, Vitus lets go of his cover and performs brilliantly with a first rate symphony orchestra, to the fullest satisfaction any parents could have. That, along with the surreal happenings in which that he helps his grandfather realizing his pilot dream and helps his father restores his dignity and company position. But what lingers in my mind most is the relationship between his nurturing grandfather and him. Very sweet and touching. Highly recommend it.
Jian Ping, author of Mulberry Child: A Memoir of China, which has been developed into an award-winning documentary film by Susan Morgan Cooper and is narrated by Jacqueline Bisset. The film was on national PBS in May 2014.