Posts Tagged ‘Asia’

China in the Next 30 Years—Quotes from contributing writers

Friday, September 9th, 2011

After releasing the digital version of China in the Next 30 Years, I read a couple of the articles again. Continue to be impressed by their depth and thought-provocative views. I’d like to share a quote from each of the contributing writers.

“China’s development for the next 30 years will be shaped not only by its own internal policies, but by events and diplomacy in the rest of the world—and specifically by the decline of the debt-burdened and privatized West, increasingly frustrated, angry and out-lashing as its politicians blame foreigners fro their own domestic financial austerity and economic shrinkage.”

Michael Husdon in “China in 30 Years”

 

Michael Hudson

Chinese people have spent the last 170 years, since the start of the Opium Wars in 1840, constantly searching for a way to rejuvenate the nation, and the reform and opening up policy could mean that search is now over.”

 

Li Daokui in “Prospects for the Next 30 Years”

“People above the age of 40 know that China’s political system today is quite different from what it was 30 years ago in that it has shifted from a revolutionary system to an institutional system.”

Pan Wei in “China in the Next 30 Years: A prospective future and a possible pitfall”

 

Wang Huiyao

“To fulfill the diverse psychological and social needs like equal opportunity, social justice and fulfilling individuals potential or self-actualization, China has to resolve the question of how to establish a mechanism that allows freedom of speech, which is the key to the sustainability of the ‘Chinese models’”.

 

Wang Huiyao in “The Characteristics, Challenges and Expectations of the ‘Chinese Models’”

Jian Ping, author of Mulberry Child: A Memoir of China. Visit www.mulberrychild.com, www.moraquest.com. Mulberry Child has been developed into a feature-length documentary film by award-winning director Susan Morgan Cooper and will be released in 2011.

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China in the Next 30 Years

Tuesday, August 30th, 2011

I’m excited to announce the digital release of China in the Next 30 Years in all the major ebook retailers, including Kindle at Amazon.com, B&N.com and iTunes Store.

China in the Next 30 Years is first released in China by the Chinese Compilation and Translation Press, a major publisher in Beijing. MoraQuest acquired the worldwide digital rights for the release of the book.

Below is a synopsis of China in the Next 30 Years. I found it a very informative, in-depth book on many political, social, cultural, sustainability, environmental and agricultural issues that China faces moving forward. A gem to be discovered. Check it out and enjoy!

 

Robert W. Fogel

“China has achieved phenomenal economic growth in the last 30 years. Robert Fogel, Nobel Laureate in Economics, predicts that the Chinese economy will reach $123 trillion and per capita income will hit $85,000 by 2040, ranking it among the super-rich nations in the world. This economic transformation has been accompanied by political reforms and major societal changes. In order for China to emerge as a global powerhouse, political reforms will have to continue to deal with new challenges associated with social stability, international relations and environmental issues.

China aspires to develop a unique political hierarchy and humanistic democracy which is based on its cultural heritage. This is quite different from the democratic systems commonly found in the West. The Chinese “development model” is not fixed. “Crossing a river by feeling the stones underfoot”- the mantra advocated by Deng Xiaoping will likely remain the guiding principle for pragmatic action and swift adaptation.

 

Yu Keping

Looking ahead to the next 30 years, seventeen essays contributed by nineteen leading Chinese and Western scholars trace the steps of China’s recent accomplishments and offer their views on how China can continue its economic and societal development and emerge as a positive world contributor.”

 

Contributing writers for book include:

Michael Hudson, Li Daokui, Pan Wei, Wang Huiyao, Wu Jinglian, Yu Keping, Cheng Enfu, Robert W. Fogel, Chen Wenling, Yan Shaojun, Hans Herren, Bjørn Lomborg, Christopher Flavin, Ma hai ing, Hu An-gang, Li Wuwei, Tommy Koh, Gustaaf Geeraerts, and Tan Chung.

For more information, visit www.moraquest.com.

Jian Ping, author of Mulberry Child: A Memoir of China. Visit www.mulberrychild.com and www.moraquest.com. Mulberry Child has been turned into a feature-length documentary film by award-winning director Susan Morgan Cooper and will be released in 2011.

 

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A New Toy

Sunday, August 21st, 2011

By Jian Ping

 

My new toy

Two weeks ago, I bought a MacBook Pro laptop, completing my shifting to Apple products from iPhone, iPad, and finally a computer.

 

The latest step was made necessary by my new initiative to release books I had acquired and will continue to acquire from publisher(s) in China. I’m excited to make my contribution in bridging cultural differences and promoting cross-cultural communications/understanding by releasing books under MoraQuest, the company I founded two years ago.

The first book I selected during my June trip to China was titled China in the Next 30 Years, a wonderful collection of essays written by more than a dozen Chinese and Western scholars who predict the economic, political, and agricultural development of China in 30 years. I found it very informative and the perspectives from both Chinese and Westerners provided various balanced and in-depth views.

 

A powerful tool

Armed with my new toy, I learned the basics of page layout and cover design by using Pages, the equivalent of Word in Microsoft Office. I took one-to-one tutoring at the Apple Store on Michigan Avenue and spent hours laboring over templates and graphics and the color “inspector”. I must admit I was and still am quite “technology” challenged. I put aside everything else, including blogging, and “fought” my through step of the way, day and night. For two weeks, I slept four or five hours a day. After many trials and errors. I finally created a file with hyperlinks that would allow readers to click on the table of contents in PDF or ePub files, the basic requirements to release the title in digital format at the three key e-retailers, namely, Amazon, B&N.com and iStore. I’ve made one round of revision shortly after loading up the files. There are still minor issues, I’m sure, that will be brought to my attention. But the digital book is available for sale online now!

 

 

A new release in digital format

A few people who read the book generously endorsed it, including Robert Herbold, retired COO of Microsoft. Mr. Herbold wrote in his testimonial: “China has made huge progress over the past 30 years. In this book, some of the world’s best visionaries examine if and how China can now transition to a genuine global leader. I highly recommend this very interesting collection of viewpoints.”

 

My new toy has helped me embark on a new endeavor. I’ve acquired two more books focused on China issues, mostly its political and democratic systems. They were both written by Westerners and were quite critical of China. I am impressed that these books were released in China, in both Chinese and English. If my newly learned skills doesn’t fail me, I should be able to release these books in the next few weeks.

Jian Ping, author of Mulberry Child: A Memoir of China. Visit www.mulberrychild.com, www.moraquest.com for more information. Mulberry Child has been made into a feature-length documentary film by award-winning director Susan Morgan Cooper and will be released in 2011.

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Visiting China – Chengdu

Monday, July 18th, 2011

By Jian Ping

Mao at Wang Fu Square

I made an unexpected stop at Chengdu, capital of Sichuan Province. Since I only had one full day in the city, a place known for its rich culture and beauty, I set out to do my exploration early in the morning, armed with a detailed city map.  

I was surprised to see a large statue of Mao extending his waving arm toward the large square when I emerged from the subway at Wang Fu Square. As in any other cities in China, construction cranes were visible in every direction. I wondered what Mao would be thinking if he, not his statue, were watching such drastic changes.

For sale sign at "Silver Seekers"

The first site that I stopped by was the Wide and Narrow Alleys, a district similar to “Tian Zi Fang” (田子坊)in Shanghai. The walls of the houses and courtyards were built with traditional gray bricks, and the gates, mostly made of heavy wood, were topped with curved tiles. But despite the man-made old aura, the inside of the cafes and restaurants along the alleys were contemporary, giving the place a sense of “dual,” if not conflicted, realities. Everything is commercialized and seemingly proud to be so. One store even names itself “Zhui Yin Zu” (追银族), “Silver Seekers.” A small board, which was placed out front, declared in crippled handwriting: “Father’s love is limitless; Mother’s love is boundless.” Under the line was a for-sale announcement of 20% off on its entire jewelry inventories. The message couldn’t be more blunt.   

A vendor selling food at Wide & Narrow Alleys

As I walked toward my next destination, I passed a grand gate guarded by half a dozen soldiers. I saw a slogan on the tall wall that stated something along the line of “soldiers are not to be violated!” I thought it was quite odd. Soldiers of the People’s Liberation Army had always been claimed to be the “sons and brothers of the people.” The signage projected a message that was quite foreign to me. I took out my small point-and-shoot camera and wanted to take a photo of the slogan. I heard a loud shouting even before the cover of my camera opened.

“No photo taking!” a uniformed soldier by the gate shouted in a fierce voice.

I was surprised by the hostility. Just as I was about to put away my camera, another soldier ran to me in record speed. There was no sign indicating what organization was behind the gate and no language stating photos are prohibited. Besides, the place was very close to the center of town. My puzzled look didn’t slow down the soldier’s demand to take a look at my camera. He didn’t leave until he was assured I didn’t take any photo. I felt offended by the rude treatment and asked a street vendor half a block away what was behind the tall walls.

“It’s the army,” she said without lifting her head.

Ba Gua at Qing Yang Temple

I sought solace in my next stop, Qing Yang Si, a Taoist temple. The walled area was much larger than I expected, with meticulously maintained gardens, pavilions, courtyards, and temples that contained numerous statues of Taoist immortals. The symbol of Ba Gua, the eight trigrams which was explained in I Ching, an ancient divinatory text, was mounted on the walls, carved into the concrete platforms, and even shaped on the bushes. Visitors burned incense and kowtowed on the cushions placed in front of the immortals. There was a sense of peace and reverence in the air. I lingered much longer here, examining the images of the deities that I had heard of in bits and pieces over the years.  

Jian Ping, author of Mulberry Child: A Memoir of China. Visit www.mulberrychild.com, www.moraquest.com for more information. Mulberry Child has been turned into a feature-length documentary film by award-winning director Susan Morgan Cooper and will be released in 2011.

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The Tale of Genji

Tuesday, March 15th, 2011

By Jian Ping

We just finished our winter quarter at the University of Chicago.  This year, our focus of study is on Japan, mostly literature and Zen BuddhismThe Tale of Genji, an ancient classic describing the romance of court life in Heian Japan in the tenth and eleventh centuries, was of the books we covered in class. The book was attributed to a single writer, a court lady by the name of Murasaki Shikubu.

The Tale of Genji, a novel of more than a thousand pages, felt like a brick. I was not that keen in reading it at the beginning of the class. Romance and court life, not to mention the time distance, didn’t sound very interesting.

However, the first chapter grabbed my attention. I think it’s safe to say the attention of most of the people in my class—a group of professionals in their 40s and 50s who had been together in the Asian Classics program and meet every Saturday for three hours for nearly four years.

Asian Classics Program, U of C

Murasaki, the author of Genji, I soon came to realize, was not only a genius storyteller, but also a poet, a musician, a calligrapher, a gardener, and should I say, a psychologist! Her description of the characters’ inner world still resonate readily with our life and way of thinking today. We were amazed and mesmerized.

Our instructor, Marissa Love, who is an expert in the area, filled us in with the historical and cultural background and kept broadening our discussions and understanding. The parallels of relationships that she pointed out, the intricacies of political backing for the court women that she brought to our attention, and the unique and relatively influential positions of these elite women that she led us to discuss were all quite fascinating! The book became a window to the culture and life of Japan at the time, and Marissa’s passion and knowledge only made it a more exciting learning experience for us.

We didn’t have enough time to read the entire book in class. But I’m so intrigued that I intend to finish reading the entire book on my own.

Jian Ping, author of Mulberry Child: A Memoir of China. Visit www.mulberrychild.com or www.moraquest.com for more information. Mulberry Child is being developed into a feature-length documentary film and will be released in 2011.

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Reading Mo Yan

Friday, January 28th, 2011

By Jian Ping

I watched the film Red Sorghum, written by Mo Yan and directed by Zhang Yimo, years ago. I loved the presentation of the down-to-earth, yet heroic life of the peasants. But I never read the book.

Recently, at the suggestion of a friend, I obtained the English translation of Mo Yan’s  novel Life and Death Are Wearing Me Out (生死疲劳). With three other books I was reading simultaneously, I was thinking to cover two or three chapters a day, at the most.

But I was mesmerized and ended up finishing reading it in less than a week. The narrative Mo Yan chose was unique—the reincarnation of a landlord, Ximen Nao, who was executed at close range during China’s land reform. He came back first as a donkey, then a ox, a pig and a monkey, before being elevated to a human again. The story covered nearly half a century of China’s recent

Mo Yan 莫言

 

history. Without getting into the nuts and bolts of the political movements, Mo Yan vividly presented the impacts of these movements on people and their lives, from devoted participants, opportunists, to those who dared to resist and those who just wanted to get along with their lives. No matter what position one held in the social hierarchy, nobody’s life was spared of the political and social waves. This is not a novel—it’s a powerful social critique, conducted with more realism via the eyes of animals than that of human beings. It’s an outcry that touches the heart to the core and creates chills, especially on someone like me who lived and witnessed some of the episodes, albeit in a different setting.

The translation by Howard Goldblatt is wonderfully done. For those who are interested in recent Chinese history and literature, this is a must read!

Jian Ping, author Mulberry Child: A Memoir of China. For more information, visit www.mulberrychild.com, www.moraquest.com

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President Hu’s Welcome Dinner in Chicago

Friday, January 21st, 2011

By Jian Ping

Supporters across the street from Hilton

Last night, China’s President Hu and his delegation attended a welcome dinner hosted by Chicago Mayor Richard Daley. My daughter Lisa and I, along with 15 or so bi-lingual people, mostly members of Chicago Sister Cities International, provided help to the event at the request of the Mayor’s Office.

It was the first visit by China’s President and Mayor Daley stated it as a “big, big, big, big deal!”

President Hu gave his speech (I took the photo from a distance without using flash!)

I had the privilege to greet people at the entrance with a few others working at the event and saw the VIPs of Chicago arrive. I could see through the revolving entrance door that a large group of people standing behind the metal bars across Michigan Ave. were waving Chinese national flags, and a long “dragon” was dancing back and forth vigoriously, accompanied by drums, all in the bitter cold. I chatted with Yi, a Ph. D student from Purdue who carried a large camera, trying to capture President Hu entering the hotel. He said he came with 162 students from the University to extend their welcome to President Hu.

A policeman came in the lobby, his face flushed red from the cold.

“Could you tell me how to say ‘move on’ in Chinese?” he asked.

Lisa and I posing by the welcome banner

Qing Zhou Kai,” I said. He repeated several times until he got the pronounciation right. I watched him walk out, still saying the phrase aloud.

Shortly after 7 P.M., Mayor Daley accompanied President Hu to the Grand Ballroom where more than 500 guests gave them a standing welcome ovation. Daley gave a welcome speech in which he declared he wanted Chicago to be the friendliest city in the U.S. to Chinese companies, investments, and visitors. Hu gave a very upbeat talk as well, emphasizing bilateral relation, increased trade—both imports and exports, and mutual understanding between China and the U.S.

It turned out to be a very exciting evening and I’m glad I was there to witness and support it.  I’m so glad that today’s China is a world away from the China I grew up in.

Jian Ping, author of Mulberry Child: A Memoir of China. Visit www.mulberrychild.com, and moraquest.com.

Mulberry Child is being developed into a feature-length documentary film by award-winning director Susan Morgan Cooper and will be released in 2011.

Asian Trip (1)

Monday, November 1st, 2010

By Jian Ping

Beijing Airport

I went to mainland China, Vietnam and Hong Kong for nearly a month in October. Running most of the time from city to city, I neglected to post any blog! Finally back in Chicago and almost over my jet lag and a cold, I’m at my computer again, and glad to be!

This trip to Asia was quite eventful and emotional. I left on Sunday, October 3, from Chicago to Beijing, with injuries on my left knee and elbow from a bad bicycle accident, four days before my departure. Despite a close friend’s advice to see a doctor, I didn’t, believing that the scratch of a couple patches of skin should heal pretty soon. Unable to do regular workout, I even ventured to the elliptical machine in the fitness room of our condo, feeling reassured that I could still move around.

On the 13-hour flight to Beijing, I felt the intensified burning and pain of my left knee and watched with concern as the skin around the palm-sized wound turned red. As luck might have it, none of the lighting, audio or video system worked at my so called “Economy Plus” seat on United 851, leaving me with nothing for distraction. I sat in semi darkness, and from time to time, chatted with a Chinese woman by the window. She took pity on me and lifted the window shutter to let some natural lighting in. I twisted and turned in my seat and used the light the best way I could to read Mother on Fire by Sandra Tsing Loh. Loh was humorous, even hilarious at times. But under the circumstance, I found smiles hard to come by.

A flight attendant eventually came and gave me a voucher to file for “compensation.” I gave a hopeless sign. I’d prefer the equipments working. I was very much relieved when the plane finally touched down on the runway in Beijing.  

Jian Ping, author of Mulberry Child: A Memoir of China. www.mulberrychild.com, www.moraquest.com

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Witnesses

Tuesday, January 5th, 2010

by Nancy Werking Poling, author of Out of the Pumpkin Shell

Revised from my Korea journal, May, 2008

In front of the Japanese embassy, twelve Seoul police officers stood at attention, their black shields situated upright  in front of them. For sixteen years, at noon every Wednesday, a group, mostly women, has demonstrated there.

The Japanese embassy in Seoul is a stark brick building. Like the American embassy, it is surrounded by a high wall topped with a fence of barbed wire. All blinds at the embassy were closed the days I attended the demonstrations. No one entered or left the premises except for an occasional delivery man on a motor scooter.

On the opposite side of the street six former Comfort Women, identified by bright yellow smocks, sat in a row facing the embassy. Each held on to the top of a large white banner stretched from one end of the row to the other. Around them about a hundred supporters waved yellow paper flags and called out for justice.

In 1910 Japan annexed Korea, harshly ruling the country until the Pacific war ended in 1945. To satisfy the occupying soldiers’ needs, young Korean women were coerced into becoming sex slaves, euphemistically called “Comfort Women.” Maybe they should have been called Comfort Girls, as many were as young as fourteen when they were kidnapped or tricked into leaving their homes. Poverty and colonial rule had already made life harsh for them and their families. In the brothels they lived in constant terror and degradation. Many were raped by twenty to thirty men a day.

Estimates of the number of women range from 100,000 to 400,000. Only around one hundred known survivors are alive today. Most Comfort Women are believed to have been killed by murder, starvation, or disease. Not until the late 1980s and early 1990s did the few survivors begin to speak publicly of their trauma.

Accounts of Japan’s response differ. I’ve read online that Japan officially apologized and offered reparation money. According to Koreans I spoke with, the apology was vague and many of the Comfort Women rejected the money, saying it had to be accompanied by an admission of responsibility. Koreans have also been pressuring Japan to include this atrocity and others in Japanese history textbooks.

An American stereotype of Korean women is that they are shy and demure. Not so. Within their own culture they can be aggressive, as demonstrated by the raucous crowd gathered in front of the Japanese embassy. During my first visit seven women had organized a “Farmer’s Band,” that is a group playing drums, a gong, and an instrument that when struck sounds like a metal pie pan. Women used a microphone to remind the public of grievances and evoke noisy responses. Every now and then the friend who accompanied me translated the gist of what was happening. Once she told me that four Comfort Women had died during the previous week.

On the second Wednesday I attended, a group of preschoolers in blue school uniforms formed an orderly line to the side. Each carried a corsage or a handmade card in the shape of a heart. When the designated time came, they filed in front of the six women and sang to them with such earnestness that tears welled in everyone’s eyes. The press, with their monstrous lenses and intrusive ways, were there in full force. Who could blame them for wanting to capture the sweetness of the children as they handed over the cards and flowers, the Comfort Women’s eagerness to engage them?

The gathering ended with everyone fervently singing “Arirang,” a traditional folk song. Though it has a peppy tune, it’s a sad love song that expresses “han,” a deep sorrow. During Japanese colonization Koreans—forced to abandon their culture, even to the point of taking Japanese names—sang it as a means of protest. It evokes emotions similar to those felt when “We Shall Overcome” is sung on King’s birthday.

Being present with the six survivors, witnessing the dignity with which they sat on their stools, watching them lean forward to speak with the young children, hearing the heart-felt strains of a song whose words I didn’t understand—the memory makes me cry even now.

Of course I could not help but think of those who were not there, the thousands who died in captivity. The women who survived until liberation but whose lives were shortened by malnourishment and sexually transmitted diseases. The women who lived but were too traumatized to ever find pleasure in existence.  And there are those who week after week stand alongside the Comfort Women. By their presence they denounce the great evil that was done.

I am reminded of women throughout the world who suffer from violence. Many will not survive the trauma. Most who survive will be so wounded that they will never be able to experience peace or joy.

Who will stand with them, shout out for justice, offer a flower or a card in the shape of a heart?

A Thanksgiving Read

Friday, December 19th, 2008
Imperial House
Image by Nikonmotion via Flickr

Over the Thanksgiving holiday, I read Mulberry Child, a Memoir of China by Jian Ping. Jian Ping is a former business colleague and friend, with whom I shared the writing experience, working on my novel at the same time as she was working on her Memoir.

Her creative talent and advice was of great assistance, and I hope that similarly I was able to give her the necessary support for her to finish her project.

Mulberry Child is the heart-wrenching true story of a childhood in Communist China. Jian Ping is the daughter of a high-ranking government official in the rural northeast of the country, growing up at a time of famine and political upheaval in the 1960s. Jian Ping’s innocent childhood comes to an abrupt end when the Cultural Revolution—a power struggle within the ruling party—engulfs the country like a wildfire.

Jian Ping’s father, Hou Kai, is falsely accused of treason—he is detained, beaten, and publicly shamed. Her mother Wenxiu, a top administrator of a middle school, is paraded in public and imprisoned by the Revolution Committee and the Red Guards—both driving forces of the Cultural Revolution. She is forbidden to see her children and pressured to divorce her husband. The family is pushed to a breaking point when they are forced to live in a mud house without heating, water, or a toilet. Facing abuse and deprivation, Jian Ping’s family stands steadfastly together, from her aging grandmother Nainai, a frail woman with bound feet, to her parents and siblings. The traumatic impact of their experiences shape the course of their lives forever.

Based on her own memories, as well as interviews and exhaustive research, Mulberry Child is a sprawling family saga and an inspiring tale of resilience and determination, a coming of age story told through the eyes of an innocent child.

Even though I had shared part of the writing process with Jian Ping and had thus read various excerpts as the book progressed, I was truly moved by this compelling story, written in such a delicate and graceful style.  I was also conscious about the timing of my reading this beautiful book.  A time for us to give thanks for the free democratic society in which I and my family have lived our lives.

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